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Bokashi (Japanese: ぼかし) is a technique used in Japanese woodblock printmaking. It achieves a variation in lightness and darkness ( value ) of a single color or multiple colors by hand applying a gradation of ink to a moistened wooden printing block, rather than inking the block uniformly.
The Great Wave off Kanagawa (神奈川沖浪裏, Kanagawa-oki nami-ura) print by Hokusai Metropolitan Museum of Art. Woodblock printing in Japan (木版画, mokuhanga) is a technique best known for its use in the ukiyo-e [1] artistic genre of single sheets, but it was also used for printing books in the same period.
Ukiyo-e: The Art of the Japanese Print. Tuttle Publishing. ISBN 978-4-8053-1098-4. Lane, Richard. (1978). Images from the Floating World, The Japanese Print. Oxford: Oxford University Press. ISBN 9780192114471 OCLC 5246796; Newland, Amy Reigle. (2005). Hotei Encyclopedia of Japanese Woodblock Prints. Amsterdam: Hotei. ISBN 9789074822657 OCLC ...
Hiroshige also used Prussian blue extensively in his landscape prints. Other prominent Japanese artists to use it included Keisai Eisen , Utagawa Kunisada and Utagawa Sadahide . The theory that aizuri-e production was prompted by the 1842 sumptuary laws known as the Tenpō Reforms is no longer widely accepted.
David Bull (born 11 November 1951) is a Canadian ukiyo-e woodblock printer and carver who heads the Mokuhankan studio in Asakusa, Tokyo. [1] [2] Born in Britain, Bull moved to Canada at the age of 5. He first discovered Japanese woodblocks while working in a music shop in 1980 in Toronto, at 28, and started making his own prints without formal ...
The next development known as whirlwind binding (xuanfeng zhuang 旋風裝) was to secure the first and last leaves to a single large sheet, so that the book could be opened like an accordion. [16] Around the year 1000, butterfly binding was developed. Woodblock prints allowed two mirror images to be easily replicated on a single sheet.
Kanae Yamamoto's "Fisherman" (1904). Sōsaku-hanga (創作版画, "creative prints") was an art movement of woodblock printing which was conceived in early 20th-century Japan. . It stressed the artist as the sole creator motivated by a desire for self-expression, and advocated principles of art that is "self-drawn" (自画 jiga), "self-carved" (自刻 jikoku) and "self-printed" (自摺 jizur
Sumizuri-e Print by Nishikawa Sukenobu. Sumizuri-e is a type of monochromatic woodblock printing that uses only black ink. It is one of the earliest forms of Japanese woodblock printing, dating back to the Nara period (710 – 794). Sumi-e translates to “ink wash painting,” which is a type of East Asian brush painting technique that uses ...