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Tree Without Leaves (落葉樹, Rakuyōju, lit. "Deciduous Tree") is a 1986 Japanese autobiographical [ 3 ] drama film written and directed by Kaneto Shindō . Plot
Blind contour drawing is a drawing exercise, where an artist draws the contour of a subject without looking at the paper. The artistic technique was introduced by Kimon Nicolaïdes in The Natural Way to Draw, and it is further popularized by Betty Edwards as "pure contour drawing" in The New Drawing on the Right Side of the Brain. [1] [2]
The same bathtub featured in several of the works in the series and, together with the model's red hair, suggested the women were of the working class, possibly even prostitutes, In their defence Degas retorted "my women are simple, honest creatures who are concerned with nothing beyond their physical occupations... it is as if you were looking ...
Landscape with scene from the Odyssey, Rome, c. 60–40 BCE. Landscape painting, also known as landscape art, is the depiction in painting of natural scenery such as mountains, valleys, rivers, trees, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape ...
Edgar Degas, After the Bath, Woman Drying Herself, 1890–95, National Gallery, London. After the Bath, Woman Drying Herself is a pastel drawing by Edgar Degas, made between 1890 and 1895. Since 1959, it has been in the collection of the National Gallery, London. This work is one in a series of pastels and oils that Degas created depicting ...
Example of practicing shinrin-yoku. Shinrin-yoku (Japanese: 森林浴, 森林 (shinrin, "forest") + 浴 (yoku, "bath, bathing. [1] ")), also known as forest bathing, is a practice or process of therapeutic relaxation where one spends time in a forest or natural atmosphere, focusing on sensory engagement to connect with nature.
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One of its first exponents was The Very Rich Hours of the Duke of Berry by the Limbourg brothers (1416), where a scene from The Fall and the Expulsion from Paradise shows the evolution of Eve from the naturalness of life in Eden to the shame of sin and the expulsion from Paradise, where she takes the form of a Venus pudica that is covered with ...