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From the figured bass-writer's perspective, this bass note is obviously a third inversion seventh chord, so the sixth interval is viewed as an interval that the player should automatically infer. In many cases entire figures can be left out, usually where the chord is obvious from the progression or the melody.
IV-V-I-vi chord progression in C major: 4: Major ... DOG EAR Tritone Substitution for Jazz Guitar, Amazon Digital Services, Inc., ASIN: B008FRWNIW. See also.
Similar to five-string bass guitar tuning, seven-string tuning allows for the extra string a fourth lower than the original sixth string. This allows for the note range of B standard tuning without transposing E standard guitar chords down two and a half steps down.
Other chord qualities such as major sevenths, suspended chords, and dominant sevenths use familiar symbols: 4 Δ 7 5 sus 5 7 1 would stand for F Δ 7 G sus G 7 C in the key of C, or E ♭ Δ 7 F sus F 7 B ♭ in the key of B ♭. A 2 means "add 2" or "add 9". Chord inversions and chords with other altered bass notes are notated analogously to ...
In a progression with a passing second-inversion chord, the bass passes between two tones a third apart (usually of the same harmonic function [7]). When moving from I to I 6, the passing chord V 6 4 is placed between them – though some prefer VII 6 to V 6 4 – creating stepwise motion in the bass (scale degrees – – ).
D/F ♯ is a D chord with F ♯ in the bass, and; A/C ♯ is an A chord with C ♯ in the bass. Slash chords generally do not indicate a simple inversion (which is usually left to the chord player's discretion anyway), especially considering that the specified bass note may not be part of the chord to play on top.