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  2. Category:American blues pianists - Wikipedia

    en.wikipedia.org/wiki/Category:American_blues...

    Pages in category "American blues pianists" The following 200 pages are in this category, out of approximately 235 total. This list may not reflect recent changes .

  3. Victor Wainwright - Wikipedia

    en.wikipedia.org/wiki/Victor_Wainwright

    Victor Lawton Wainwright, Jr. (born February 4, 1981) [5] is an American blues and boogie-woogie [6] singer, songwriter, and pianist. Wainwright's musical style was described by the American Blues Scene magazine in 2013 as "honky-tonk and boogie, with a dose of rolling thunder.

  4. Joe Krown - Wikipedia

    en.wikipedia.org/wiki/Joe_Krown

    Just the Piano...Just the Blues (1998) and New Orleans Piano Rolls (2003). Both are solo piano performance featuring original New Orleans piano/boogie-woogie style compositions and classic New Orleans piano songs. His current solo piano CD, Exposed (JK1005) is the follow-up to the STR Digital CDs. He has been a headline performer at WWOZ's ...

  5. Piedmont blues - Wikipedia

    en.wikipedia.org/wiki/Piedmont_blues

    The Piedmont blues was named after the Piedmont plateau region, on the East Coast of the United States from about Richmond, Virginia to Atlanta, Georgia.Piedmont blues musicians come from this area, as well as Maryland, Delaware, West Virginia, Pennsylvania and northern Florida, western South Carolina, central North Carolina, eastern Tennessee, Kentucky, and Alabama – later the Northeastern ...

  6. Henry Gray (musician) - Wikipedia

    en.wikipedia.org/wiki/Henry_Gray_(musician)

    Henry Gray (January 19, 1925 – February 17, 2020) was an American blues piano player and singer born in Kenner, Louisiana. [1] He played for more than seven decades and performed with many artists, including Robert Lockwood Jr., Billy Boy Arnold, Morris Pejoe, the Rolling Stones, Muddy Waters, and Howlin' Wolf.

  7. List of blues standards - Wikipedia

    en.wikipedia.org/wiki/List_of_blues_standards

    Music journalist Richie Unterberger commented on the adaptability of blues: "From its inception, the blues has always responded to developments in popular music as a whole: the use of guitar and piano in American folk and gospel, the percussive rhythms of jazz, the lyrics of Tin Pan Alley, and the widespread use of amplification and electric ...