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Vivian Stanshall (born Victor Anthony Stanshall; 21 March 1943 – 5 March 1995) [1] was an English singer-songwriter, [2] musician, author, poet and wit, best known for his work with the Bonzo Dog Doo-Dah Band, for his exploration of the British upper classes in Sir Henry at Rawlinson End (as a radio series for John Peel, as an audio recording, as a book and as a film), and for acting as ...
The tracks are named after musical pieces, and most feature at least one vocal number, intermingled with spoken-word performances. Stanshall's characters include Sir Henry Rawlinson, his wife Lady Florrie Rawlinson (née Maynard), their children Ralph ('Raif') and Candice Rawlinson, and Henry's brothers Hubert (the younger brother) and Humbert (late older brother, deceased, and now a ghost).
Vivian Stanshall – vocals, recorder, euphonium, ukulele, Chelonian pipes; Anthony "Bubs" White – electric guitar; Steve Winwood – bass guitar, organ; Gasper Lawal – talking drums, congas, xylophone, drum kit ("How The Zebra Got His Spots") Neil Innes – piano, slide guitar, organ ("How The Zebra Got His Spots") Jim Capaldi – drum kit ...
The Bonzo Dog Doo-Dah Band (also known as the Bonzo Dog Band or the Bonzos) was created by a group of British art-school students in the 1960s. [1] Combining elements of music hall, trad jazz and psychedelia with surreal humour and avant-garde art, the Bonzos came to public attention through appearances in the Beatles' 1967 film Magical Mystery Tour and the 1968 ITV comedy show Do Not Adjust ...
Innes's inspiration for the song was the title of a story in an old American pulp fiction crime magazine he came across at a street market. [1] Stanshall's primary contribution was to shape "Death Cab for Cutie" as a parody of Elvis Presley (notably Presley's 1957 hit "(Let Me Be Your) Teddy Bear"), and he sang it as such, with undertones of 1950s doo-wop.
Stanshall's expanded Rawlinson End radio series (see below) was a more openly absurd dadaist parody of classic English radio drama serials, with a smattering of P.G. Wodehouse's Blandings Castle thrown in, as it now focused on the characters of Sir Henry Rawlinson and his family, who only briefly appeared or were mentioned only in passing in the original, embryonic versions of the saga.
"I'm the Urban Spaceman" was the Bonzo Dog Doo-Dah Band's most successful single, released in 1968. It reached #5 in the UK charts. The song was written by Neil Innes—who won an Ivor Novello Award in 1968 for the song—and produced by Paul McCartney under the pseudonym "Apollo C. Vermouth".
Teddy Boys Don't Knit is the third solo album by Vivian Stanshall.As with his 1974 debut solo album Men Opening Umbrellas Ahead, it consists entirely of songs, rather than the comedy-narrative-with-integral-songs of its immediate predecessor Sir Henry at Rawlinson End.