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B2430.D453 D4513 1994b. Difference and Repetition (French: Différence et répétition) is a 1968 book by French philosopher Gilles Deleuze. Originally published in France, it was translated into English by Paul Patton in 1994. Difference and Repetition was Deleuze's principal thesis for the Doctorat D'Etat alongside his secondary, historical ...
Vorticism was a London-based modernist art movement formed in 1914 by the writer and artist Wyndham Lewis. The movement was partially inspired by Cubism and was introduced to the public by means of the publication of the Vorticist manifesto in Blast magazine. Familiar forms of representational art were rejected in favour of a geometric style ...
Suprematism. Suprematism (Russian: супремати́зм) is an early twentieth-century art movement focused on the fundamentals of geometry (circles, squares, rectangles), painted in a limited range of colors. The term suprematism refers to an abstract art based upon "the supremacy of pure artistic feeling" rather than on visual depiction ...
The Surrealist Manifesto refers to several publications by Yvan Goll and André Breton, leaders of rival surrealist groups. Goll and Breton both published manifestos in October 1924 titled Manifeste du surréalisme. Breton wrote a second manifesto in 1929, which was published the following year, and a third in 1942. [1][2]
Symbolism was a late 19th-century art movement of French and Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against naturalism and realism. In literature, the style originates with the 1857 publication of Charles Baudelaire 's Les Fleurs du ...
The movement's early participants, and its defining artists, have become known as "the big four": Guy Anderson, Kenneth Callahan, Morris Graves and Mark Tobey. Their work became recognized nationally from LIFE magazine's 1953 article Mystic Painters of the Northwest , [ 1 ] which featured biographies and works of the four artists.
Art and emotion. In psychology of art, the relationship between art and emotion has newly been the subject of extensive study thanks to the intervention of esteemed art historian Alexander Nemerov. Emotional or aesthetic responses to art have previously been viewed as basic stimulus response, but new theories and research have suggested that ...
Aestheticism (also known as the aesthetic movement) was an art movement in the late 19th century that valued the appearance of literature, music, fonts and the arts over their functions. [ 1 ] [ 2 ] According to Aestheticism, art should be produced to be beautiful, rather than to teach a lesson , create a parallel , or perform another didactic ...