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Sens Cathedral, begun in 1130, was the first complete Gothic cathedral in France. [55] [page needed] Largest. Seville Cathedral has more than 500,000 cubic meters of interior space, [56] and Milan Cathedral has 440,000 cubic meters of interior space, making them the largest cathedrals by interior space in Europe.
Siena Cathedral (1215–1263), which was begun in the mid-13th century, is another major landmark church of early Italian Gothic. Its interior is a mixture of Gothic and Romanesque elements, such as the domed crossing tower, and horizontal banding of the interior columns with polychrome marble.
Interior of a Gothic Church is an oil on panel painting by Paul Vredeman de Vries. [1] The painting was completed in 1595 and is currently on display at the Memorial Art Gallery in Rochester, New York. [1] Interior of a Gothic Cathedral by Paul Vredeman de Vries, 1612, Oil on wood, from the Los Angeles County Museum of Art [2]
The crown jewel of French Gothic architecture, Chartres Cathedral was built in just 26 years after a devastating fire in 1194. Its revolutionary west façade, anchored by the iconic Royal Portal ...
An essay in Early English Gothic with the tallest spire in England St. Basil's Cathedral, Moscow The architecturally unique Basilica of Sagrada Família in Barcelona combines structural elements of the traditional Gothic cathedral with a style drawing on Art Nouveau, local tradition and the imagination of its creator, Antoni Gaudí.
A few important examples of 12th-century windows are found at Chartres Cathedral on the inside of the western facade, in three lancet windows under the rose window. These windows survived a devastating fire in the Cathedral in 1194, and are considered some of the best examples of 12th-century work in France. [5]
French Gothic architecture is an architectural style which emerged in France in 1140, and was dominant until the mid-16th century. The most notable examples are the great Gothic cathedrals of France, including Notre-Dame Cathedral, Reims Cathedral, Chartres Cathedral, and Amiens Cathedral.
The vertical plan of early Gothic cathedrals had three levels, each of about equal height; the clerestory, with arched windows which admitted light on top, under the roof vaults; the triforium a wider covered arcade, in the middle; and, on the ground floor, on either side of the nave, wide arcades of columns and pillars, which supported the weight of the ceiling vaults through the ribs