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When the exhibition "Long Live Surrealism! 1924-Today" opened on Sept. 7, Frazer was present when the painting was revealed. "I was very proud," Frazer said. "Not in anything else — the painting ...
Documents was a Surrealist art magazine edited by Georges Bataille. Published in Paris from 1929 through 1930, it ran for 15 issues, each of which contained a wide range of original writing and photographs.
View was an American literary and art magazine published from 1940 to 1947 by artist and writer Charles Henri Ford, [1] and writer and film critic Parker Tyler. [2] The magazine is best known for introducing Surrealism to the American public. [3] The magazine was headquartered in New York City. [1] [2]
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From a steam train shooting out of a fireplace to the nude back of a woman transformed into a violin, the style still has the power to intrigue.
Max Ernst, The Elephant Celebes, 1921. The word surrealism was first coined in March 1917 by Guillaume Apollinaire. [10] He wrote in a letter to Paul Dermée: "All things considered, I think in fact it is better to adopt surrealism than supernaturalism, which I first used" [Tout bien examiné, je crois en effet qu'il vaut mieux adopter surréalisme que surnaturalisme que j'avais d'abord employé].
"Guide to the Bob Witz Papers/Appearances Magazine", Fales Library and Special Collections, Elmer Holmes Bobst Library, NYU, New York, NY (ca. 1980–1996) "The Register of Clayton Eshleman Papers", MSS 0021, Mandeville Special Collections Library, Geisel Library, University of California, San Diego; Accessions Processed in 1987 (1958–1993)
In the period 1928–1931 he was a contributor of the unu magazine (an avant-garde periodical with Dadaist and Surrealist tendencies), which published reproductions of most of his paintings and graphic works: "clear drawings and portraits made by Victor Brauner to his friends, poets and writers" (Jaques Lessaigne – Painters I Knew).