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An example of a conceptual metaphor is “love is a journey”. This metaphor is embedded in the idiom-containing sentences like their marriage is on the rocks and our relationship is at a cross-road. This hypothesis suggests that conceptual metaphors facilitate the understanding of idiomatic expressions.
A list of metaphors in the English language organised alphabetically by type. A metaphor is a literary figure of speech that uses an image, story or tangible thing to represent a less tangible thing or some intangible quality or idea; e.g.,
A metaphor is a comparison that does not use the words "like" or "as". Metaphors can span over multiple sentences. Example: ... Example: A heart standing for love ...
The solution, which Bradford devised in 1969, is one simple sentence: “When you do [insert action], I feel [insert feeling].” An argument has three pillars, which Bradford and Robin describe ...
With an inexact metaphor, however, a metaphier might have associated attributes or nuances – its paraphiers – that enrich the metaphor because they "project back" to the metaphrand, potentially creating new ideas – the paraphrands – associated thereafter with the metaphrand or even leading to a new metaphor. For example, in the metaphor ...
An extended metaphor is a metaphor that is continued over multiple sentences. [19] [20] Example: "The sky steps out of her daywear/Slips into her shot-silk evening dress./An entourage of bats whirr and swing at her hem, ...She's tried on every item in her wardrobe." Dilys Rose [21] Onomatopoeia is a word designed to be an imitation of a sound. [22]
For example, the phrase, "John, my best friend" uses the scheme known as apposition. Tropes (from Greek trepein, 'to turn') change the general meaning of words. An example of a trope is irony, which is the use of words to convey the opposite of their usual meaning ("For Brutus is an honorable man; / So are they all, all honorable men").
Traditionally used to convey the idea of love. Shakespeare’s sonnet sequence, for example, seeks to discover new ways of imagining love. In Shakespeare’s sonnet 130, he describes the lady’s beauty skillfully and playfully such that every image of beauty it sets up is immediately refused to mock conventional Renaissance ideas of female beauty.