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L'Orfeo (SV 318) (Italian pronunciation: [lorˈfɛːo]), or La favola d'Orfeo [la ˈfaːvola dorˈfɛːo], is a late Renaissance/early Baroque favola in musica, or opera, by Claudio Monteverdi, with a libretto by Alessandro Striggio.
Orpheus was one of the handful of Greek heroes [25] to visit the underworld and return; his music and song had power even over Hades. The earliest known reference to this descent to the underworld is the painting by Polygnotus (5th century BC) described by Pausanias (2nd century AD), where no mention is made of Eurydice.
Romantic music is a stylistic movement in Western Classical music associated with the period of the 19th century commonly referred to as the Romantic era (or Romantic period). It is closely related to the broader concept of Romanticism —the intellectual, artistic, and literary movement that became prominent in Western culture from about 1798 ...
Orpheus, the Greek hero whose songs could charm both gods and wild beasts and coax the trees and rocks into dance, has achieved an emblematic status as a metaphor for the power of music. [1] The following is an annotated list of operas (and works in related genres) based on his myth.
Juliusz Słowacki, a Polish poet considered one of the "Three National Bards" of Polish literature—a major figure in the Polish Romantic period, and the father of modern Polish drama. Their art featured emotionalism and irrationality , fantasy and imagination, personality cults, folklore and country life, and the propagation of ideals of freedom.
Roman mosaic of Orpheus, the mythical poet to whom the Orphic Hymns were attributed, from Palermo, 2nd century AD [32]. The collection's attribution to the mythical poet Orpheus is found in its title, "Orpheus to Musaeus", [33] which is the heading of the proem (an address from the poet to the legendary author Musaeus of Athens, which precedes the rest of the collection); [34] this address to ...
Orpheus Searching Eurydice in the Underworld, a painting by the Antwerp school; The Kiss, a painting by Gustave Klimt (1907) (Not explicitly Orpheus and Eurydice, but one interpretation of The Kiss is that it depicts their story) [citation needed] Portrait of Cosimo I de' Medici as Orpheus, a painting by Agnolo Bronzino (c. 1537-1539)
It is Monteverdi's first opera, and one of the earliest in the new genre. In Monteverdi's hands, according to music historian Donald Jay Grout , "the new form [of opera] passed out of the experimental stage, acquiring ... a power and depth of expression that makes his music dramas still living works after more than three hundred years". [ 1 ]