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Majaal (transl. Audacity) is a 1987 Indian Hindi-language drama film, produced by Srikanth Nahata under the Vijayalakshmi Pictures banner and directed by K. Bapaiah.The film stars Jeetendra, Sridevi, Jaya Prada and music composed by Bappi Lahiri.
Magaadu (transl. Man) is a 1976 Indian Telugu-language action drama film produced by Lakshmi Rajyam, Sridhar Rao and Srikanth Nahata and directed by S. D. Lal.The film stars N. T. Rama Rao, Ramakrishna, Manjula and Latha, with music composed by K. V. Mahadevan.
On 22 February 1986, she married producer Srikanth Nahata, who was already married to Chandra and had two children. [16] This marriage stirred a lot of controversy, especially since Nahata did not divorce his wife and had a child with his first wife after marrying Jayaprada. [16]
Haisiyat (transl. Status) is a 1984 Hindi-language drama film, produced by Srikanth Nahata under the Vijayalakshmi Pictures banner and directed by Dasari Narayana Rao. It stars Jeetendra, Jaya Prada in the pivotal roles and music composed by Bappi Lahari. The film is remake of Tamil movie Kanavan Manaivi (1976). [1]
Siripuram Monagadu (transl. Siripuram Chieftain) is an Indian Telugu-language action film released on 1 June 1983 [4] starring Krishna in triple roles of Sridhar, Anand and Lion alongside Jaya Prada, K. R. Vijaya, Kaikala Satyanarayana, Nutan Prasad and Kantha Rao in the lead roles.
Srikanth Nahata Kannada Kannada remake of Vaa Arugil Vaa, Killing scenes of doll used from Tamil original 1998 Dharma: Keyaar: Tamil Tamil remake of Ziddi, Climax involving bomb explosions used from Hindi original 2003 Villain: K. S. Ravikumar: Telugu Telugu remake of Villain, Flashback of twins dubbed from original 2003 Annavru: Om Prakash Rao ...
I swear on my wife, your wife is a good woman) is a 2001 Indian Telugu-language drama film written, directed and produced by E. V. V. Satyanarayana. The film stars Srikanth, Raasi, Vadde Naveen, and Laya. In the film, two estranged lovers—Praveen (Naveen) and Subadra (Raasi)—meet unexpectedly after their respective marriages.
Srikanth has delivered his role very comfortably and carries the movie elegantly proving to find his hand over all type of roles and now rolling to reels". [10] Malathi Rangarajan of The Hindu wrote: "Manasellam has the ingredients of an entertaining fare — but the worn-out storyline and trying sequences are stumbling blocks". [ 11 ]