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Each table is arranged alphabetically by the specific work, then by the language of the translation. Translations are then sub-arranged by date of publication (earliest-latest). Where possible, the date of publication given is the date of the first edition by that translator. More modern editions/versions may be available.
"Tomorrow and tomorrow and tomorrow" is the beginning of the second sentence of one of the most famous soliloquies in William Shakespeare's tragedy Macbeth. It takes place in the beginning of the fifth scene of Act 5, during the time when the Scottish troops, led by Malcolm and Macduff , are approaching Macbeth 's castle to besiege it.
The manuscript is untitled. The name "Macbeth Skit" was used for the 1960 publication. The skit takes lines from Act 1 scenes 5 and 7 of Shakespeare's Macbeth. Lady Macbeth typically retains Shakespeare's lines, while Macbeth speaks in modern colloquial English, often expressing confusion about what she is saying. [3]
Macbeth was a favourite of the seventeenth-century diarist Samuel Pepys, who saw the play on 5 November 1664 ("admirably acted"), 28 December 1666 ("most excellently acted"), ten days later on 7 January 1667 ("though I saw it lately, yet [it] appears a most excellent play in all respects"), on 19 April 1667 ("one of the best plays for a stage ...
The Three Witches, also known as the Weird Sisters, Weyward Sisters or Wayward Sisters, are characters in William Shakespeare's play Macbeth (c. 1603–1607). The witches eventually lead Macbeth to his demise, and they hold a striking resemblance to the three Fates of classical mythology.
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Terry Pratchett reimagined Macbeth in the Discworld novel Wyrd Sisters (1988). In this story 3 witches, led by Granny Weatherwax, attempt to put a murdered king's heir on the throne. [52] In 2018, Jo Nesbø wrote Macbeth, a retelling of the play as a thriller. The novel was part of Hogarth Shakespeare. [53] [54]
The play appears to be more of a "translation" into modern-esque language, than a reimagination. [16] The play received mixed reviews, mostly criticizing Graney's modern interpolations and abrupt ending. [17] 15 Villainous Fools, written and performed by Olivia Atwood and Maggie Seymour, a two-woman clown duo, produced by The 601 Theatre Company.