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The album is the final release by the band to feature the band's full original lineup, as the Hoffman brothers would both depart shortly after this album, ending their 17-year tenure with the group. The track "Scars of the Crucifix" spawned Deicide's first ever music video , filmed in Nottingham .
The photograph displayed on the cover of Dayne's single was shot by Alberto Tolot, taken on the set of its music video. This version of the song has slightly altered lyrics referring to the themes of the movie (a line about 'evil lurking in the hearts of men today' based on the intro to "The Shadow" radio program) different from the ones sung ...
Once upon the Cross is the third studio album by Florida death metal band Deicide. It was released on April 17, 1995, by Roadrunner Records . The samples at the beginning of the opening track "Once upon the Cross" and "Trick or Betrayed" are taken from the film The Last Temptation of Christ .
The Stench of Redemption is the eighth studio album by Florida death metal band Deicide. It is the first album by the band to feature Jack Owen (formerly of Cannibal Corpse) and Ralph Santolla (formerly of Iced Earth) on guitars. Some editions of the album include a cover of "Black Night" by Deep Purple, with rewritten lyrics by Glen Benton.
Music video; on YouTube "Original Sin" is a 2001 song performed by English musician Elton John from his 26th studio album, Songs from the West Coast. The song ...
When London Burns is the first DVD released by Florida death metal band Deicide. It was released on March 7, 2006, by Earache Records. The extra features include a documentary entitled Behind the Scars, which discusses the production of the album Scars of the Crucifix. The Hoffman brothers left Deicide five days before the concert was recorded.
Fans found a clue that Taylor Swift's upcoming song "Guilty as Sin?" could be about sleeping with a liar based on old "Carolina" lyrics.
The album received mixed to positive reviews. Metal Injection said that "the album definitely belongs in the top half of Deicide's discography", [3] Decibel said that "by track four, it has already muscled its way into the upper echelons of the band’s storied discography", [6] but Exclaim! writer Joe Smith-Engelhardt called the album a "sore spot" in Deicide's career.