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  2. Impedance matching - Wikipedia

    en.wikipedia.org/wiki/Impedance_matching

    Typical push–pull audio tube power amplifier, matched to loudspeaker with an impedance-matching transformer. Audio amplifiers typically do not match impedances, but provide an output impedance that is lower than the load impedance (such as < 0.1 ohm in typical semiconductor amplifiers), for improved speaker damping.

  3. Electrical characteristics of dynamic loudspeakers - Wikipedia

    en.wikipedia.org/wiki/Electrical_characteristics...

    The electrical signal generated by the coil travels back along the speaker cable to the amplifier. Well-designed amplifiers have low output impedance so that this generated signal has minimal effect on the amplifier. Characteristically, solid state amplifiers have had much lower output impedances than tube amplifiers. So much so, that ...

  4. Audio power - Wikipedia

    en.wikipedia.org/wiki/Audio_power

    Audio power is the electrical power transferred from an audio amplifier to a loudspeaker, measured in watts. The electrical power delivered to the loudspeaker, together with its efficiency , determines the sound power generated (with the rest of the electrical power being converted to heat).

  5. L pad - Wikipedia

    en.wikipedia.org/wiki/L_pad

    A speaker L pad is a special configuration of rheostats used to control volume while maintaining a constant load impedance on the output of the audio amplifier. [1] It consists of a parallel and a series rheostat connected in an "L" configuration.

  6. Line level - Wikipedia

    en.wikipedia.org/wiki/Line_level

    Line level is the specified strength of an audio signal used to transmit analog sound between audio components such as CD and DVD players, television sets, audio amplifiers, and mixing consoles. Generally, line level signals sit in the middle of the hierarchy of signal levels in audio engineering.

  7. Damping factor - Wikipedia

    en.wikipedia.org/wiki/Damping_factor

    A high damping factor in an amplifier is sometimes considered to result in the amplifier having greater control over the movement of the speaker cone, [3] particularly in the bass region near the resonant frequency of the driver's mechanical resonance. Speaker diaphragms have mass, and their compliant suspension components have stiffness.