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The House of the Dead (Russian: Записки из Мёртвого дома, Zapiski iz Myortvogo doma) is a semi-autobiographical novel published in 1860 to 1862 [1] in the journal Vremya [2] by Russian author Fyodor Dostoevsky.
Notes from Underground (pre-reform Russian: Записки изъ подполья; post-reform Russian: Записки из подполья, Zapíski iz podpólʹya; also translated as Notes from the Underground or Letters from the Underworld) [a] is a novella by Fyodor Dostoevsky first published in the journal Epoch in 1864.
The Brothers Karamazov (Russian: Бра́тья Карама́зовы, Brát'ya Karamázovy, pronounced [ˈbratʲjə kərɐˈmazəvɨ]), also translated as The Karamazov Brothers, is the last novel by Russian author Fyodor Dostoevsky.
The Dream of a Ridiculous Man" (Russian: Сон смешного человека, Son smeshnovo cheloveka) is a short story by Fyodor Dostoevsky. It chronicles the experiences of a man who decides that there is nothing of any value in the world. Slipping into nihilism with “terrible anguish”, he is determined to commit suicide.
Fyodor Mikhailovich Dostoevsky [a] [b] (11 November [O.S. 30 October] 1821 – 9 February [O.S. 28 January] 1881) [3] was a Russian novelist, short story writer, essayist and journalist. Numerous literary critics regard him as one of the greatest novelists in all of world literature , [ 3 ] as many of his works are considered highly influential ...
Poor Folk (Russian: Бедные люди, Bednye lyudi), sometimes translated as Poor People, [a] is the first novel by Fyodor Dostoevsky, written over the span of nine months between 1844 and 1845.
"White Nights" (Russian: Белые ночи, romanized: Belye nochi; original spelling Бѣлыя ночи, Beliya nochi) is a short story by Fyodor Dostoevsky, originally published in 1848, early in the writer's career. [1] Like many of Dostoevsky's stories, "White Nights" is told in the first person by a nameless narrator.
The Landlady (Russian: Хозяйка, romanized: Khozayka) is a novella by Russian author Fyodor Dostoevsky, written and published in 1847.Set in Saint Petersburg, it tells of an abstracted young man, Vasily Mikhailovich Ordynov, and his obsessive love for Katerina, the wife of a dismal husband whom Ordynov perceives as a malignant fortune-teller or mystic.