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Mouth resonance is used for a conversational vocal color in singing and, in combination with nasal resonance, it creates forward placement or mask resonance. Chest resonance adds richer, darker, and deeper tone coloring for a sense of power, warmth, and sensuality. It creates a feeling of depth and drama in the voice.
In music, timbre (/ ˈ t æ m b ər, ˈ t ɪ m-, ˈ t æ̃-/), also known as tone color or tone quality (from psychoacoustics), is the perceived sound quality of a musical note, sound or tone. Timbre distinguishes different types of sound production, such as choir voices and musical instruments.
Appell defined chest voice as resonance below the vocal folds and head voice as resonance above the vocal folds. He recorded examples of male and female singers changing from chest voice to head voice at different pitches in an attempt to prove that the transition pitch is a function of the intensity of the vocal tone and is not absolute.
Acoustic resonance is an important consideration for instrument builders, as most acoustic instruments use resonators, such as the strings and body of a violin, the length of tube in a flute, and the shape of, and tension on, a drum membrane. Like mechanical resonance, acoustic resonance can result in catastrophic failure of the object at ...
A resonance area such as chest voice or head voice; A phonatory process; A certain vocal timbre; or; A region of the voice set off by vocal breaks. [3] Speech pathologists and many vocal pedagogues recognize four vocal registers: the vocal fry, modal, falsetto, and whistle. To delineate these registers, pathologists specify vibratory pattern of ...
Timbre is perceived as the quality of different sounds (e.g. the thud of a fallen rock, the whir of a drill, the tone of a musical instrument or the quality of a voice) and represents the pre-conscious allocation of a sonic identity to a sound (e.g. "it's an oboe!"). This identity is based on information gained from frequency transients ...
Chest timbre can add a wonderful array of sounds to a singer’s vocal interpretive palette. The introduction of chest timbre is common to singers trained in the historic Italian school, but largely shunned among singers who have emerged from the Nordic/Germanic tradition. Such approval or disapproval is largely an aesthetic decision. [5]
An ornamental tone following a principal tone by a skip up or down, usually of a third, and proceeding in the opposite direction by a step, not to be confused with changing tone. canon or kanon (Ger.) A theme that is repeated and imitated and built upon by other instruments with a time delay, creating a layered effect; see Pachelbel's Canon.