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Equivalent (1926), one of many photographs of the sky taken by Stieglitz.. Equivalents is a series of photographs of clouds taken by Alfred Stieglitz from 1925 to 1934. They are generally recognized as the first photographs intended to free the subject matter from literal interpretation, and, as such, are some of the first completely abstract photographic works of art.
Alfred Stieglitz HonFRPS (/ ˈ s t iː ɡ l ɪ t s /; January 1, 1864 – July 13, 1946) was an American photographer and modern art promoter who was instrumental over his 50-year career in making photography an accepted art form.
When Stieglitz began independently publishing his own journal Camera Work in 1903, interest in Camera Notes quickly flagged. The photographers and critics who were at the forefront of fine art photography at the time recognized that, for all his shortcomings, Stieglitz really was the driving force in the movement. [5]
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At the start of the 20th century Alfred Stieglitz was the single most important figure in American photography. [4] He had been working for many years to raise the status of photography as a fine art by writing numerous articles, creating exhibitions, exhibiting his own work and, especially by trying to influence the artistic direction of the Camera Club of New York.
She detailed the interior of An American Place, Stieglitz's last gallery, in photographs included in America and Alfred Stieglitz, A Collective Portrait, published in 1934. [4] She created an extended portrait study of Stieglitz [ 5 ] (he returned the favour by creating a similar study of Norman).
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White was greatly influenced by Stieglitz's concept of "equivalence," which White interpreted as allowing photographs to represent more than their subject matter. He wrote "when a photograph functions as an Equivalent, the photograph is at once a record of something in front of the camera and simultaneously a spontaneous symbol.