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His early designs were purchased by his close friend painter Edward Burne-Jones, and Punch cartoonist Edward Linley Sambourne. He also had as few avant-garde aristocratic clients, including the Earl and Countess of Carlisle, who used the 'Bird and Anemone' and two sunflower designs in their home at Castle Howard in Yorkshire. [8]
The hallways exhibit original stenciling in the Arts and Crafts style as well as wood carving. Wall and ceiling coverings are made of wool, silk, filled burlap, and gold leaf. The doors throughout the home are made of two kinds of wood, with oak on the hallway side and the variety of wood used in the room on the other side.
The Anglo-Japanese style developed in the United Kingdom through the Victorian era and early Edwardian era from approximately 1851 to the 1910s, when a new appreciation for Japanese design and culture influenced how designers and craftspeople made British art, especially the decorative arts and architecture of England, covering a vast array of art objects including ceramics, furniture and ...
Walls were decorated with statues, paintings, and design elements to enhance the theming of the garden. [24] More practical gardens, such as the shop garden at Pompeii excavated by Wilhelmina Jashemski , contained fragments of pottery embedded into the perimeter walls, to prevent vandalism and theft.
See the external link at the bottom of this page for a comparison, provided by the William Blake Archive, of 13 versions of the design. Size and colouring varies across the different copies.) The "Ah, Sun-flower" design forms the middle part of the overall layout (the positioning is mentioned below in the "Themes and interpretations" section).
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