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From her birth in 1964, [3] Barrio grew up in Madrid [4] under the Francoist dictatorship which imprisoned her grandfather. [5] She began dancing from four years of age [6] and at 19, was inspired by the 1981 flamenco film Blood Wedding to leave university to pursue dancing flamenco professionally.
María Jesús Pagés Madrigal (b.- 28 July 1963), better known as María Pagés, is a modern Spanish dancer and choreographer. Considered one of the premiere living Flamenco dancers, Pagés has been recognised internationally for decades as one of the top performers of the style, with her expressive stage presence and passionate, unique rhythmic interpretations.
Flamenco (Spanish pronunciation: [flaˈmeŋko]) is an art form based on the various folkloric music traditions of southern Spain, developed within the gitano subculture of the region of Andalusia, and also having historical presence in Extremadura and Murcia.
Later, Juncal continued her studies at the Centro de Arte Flamenco y Danza Española Amor de Dios in Madrid. Among the teachers who trained her were Cristóbal Reyes, La Tati, El Güito, Manolete , Ciro, and Merche Esmeralda in flamenco ; Nadine Boisaubert and Dagmara Brown in ballet ; and Trini Borrull and Rosalina Ripoll in classical Spanish ...
Originally a folk-song type, it became a flamenco style in the 19th century. It is not normally used for dance, as it is generally interpreted with no regular rhythmic pattern, as a "cante libre." It has a very rich melody with virtuous flourishes and use of microtones.
Additionally, she was the sister of flamenco dancer Lorenza "La Chunguita" Flores Amaya, and cousin of famed flamenco dancer Carmen Amaya. La Chunga started dancing when she was six years-old in the "Ca La Rosita", a well-known bodega for the Romanì community in El Poble-Sec. It was at this time she was discovered by painter Francisco "Paco ...
Pages in category "Flamenco styles" The following 29 pages are in this category, out of 29 total. ... This page was last edited on 4 January 2022, at 20:10 (UTC).
Olé is a Spanish interjection used to cheer on or praise a performance commonly used in bullfighting and flamenco dance. [2] In flamenco music and dance, shouts of "olé" often accompany the dancer during and at the end of the performance, and a singer in cante jondo may emphasize the word "olé" with melismatic turns.