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Christ at the Sea of Galilee is an oil painting by Jacopo Tintoretto, from the 1570s. The painting depicts Jesus Christ raises a hand toward the apostles, who appear in a boat amid hostile waves at sea. It is an example of mannerism, [1] a European art style that exaggerates proportion and favors compositional tension. This can be seen in the ...
Christ Calming the Storm on the Sea of Galilee, circa 1570, 117.1 × 169,2 cm, National Gallery of Art, Washington, Danaë, circa 1570, 142 × 182 cm, Musée des Beaux-Arts, Lyon; Ultima Cena, circa 1570, 228 × 535 cm, San Polo, Venice; Madonna and Child or Madonna of the Stars, early 1570s, 92,7 × 72,7 cm, National Gallery of Art, Washington
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The Annunciation from the Tintoretto cycle The Circumcision of Jesus from the Tintoretto cycle Miracle of the Bronze Serpent from the Tintoretto cycle. In 1564 the painter Tintoretto was commissioned to provide paintings for the Scuola, and his most renowned works are to be found in the Sala dell'Albergo and the Sala Superiore.
Christ at the Sea of Galilee (c. 1575–1580) It was probably in 1560, the year in which he began working in the Scuola di S. Rocco, that Tintoretto commenced his numerous paintings in the Doge's Palace; he then executed there a portrait of the Doge, Girolamo Priuli.
Paintings by Jacopo Tintoretto (1518−1594) — a Late Italian Renaissance and Mannerist painter from the Republic of Venice. Pages in category "Paintings by Tintoretto" The following 40 pages are in this category, out of 40 total.
The colours are darker in the near subjects, while the figures in the background are white, nearly transparent. The strange red sky is roiling with ominous gray clouds, riven with a thunderbolt, affording the painting a heavy, dynamic atmosphere. [2] Tintoretto depicted himself within the work as the bearded man beside the camel. [2]
The intended place for Christ Washing the Disciples' Feet was on the right side where now is Carlo Ridolfi's copy. The painting was created in 1548/1549 for a church in Venice. [1] The church of San Marcuola commissioned Christ Washing the Disciples' Feet as a companion piece to Tintoretto's Last Supper, which still