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The intervals between the notes of a natural minor scale follow the sequence below: whole, half, whole, whole, half, whole, whole. where "whole" stands for a whole tone (a red u-shaped curve in the figure), and "half" stands for a semitone (a red angled line in the figure). The natural minor scale is maximally even.
The Aeolian mode is identical with the natural minor scale. Thus, it is ubiquitous in minor-key music. The following is a list of some examples that are distinguishable from ordinary minor tonality, which also uses the melodic minor scale and the harmonic minor scale as required. Traditional – "God Rest You Merry, Gentlemen"
minor — Aeolian mode or natural minor scale: Aeolian on C. Play ... The A melodic minor scale, ascending and descending, on A. Play ...
The A natural minor scale is: ... The scale degree chords of A minor are: Tonic – A minor; Supertonic – B diminished; Mediant – C major; Subdominant – D minor;
The diatonic scale (seven notes)—this includes the major scale and the natural minor; The melodic and harmonic minor scales (seven notes) These scales are used in all of their transpositions. The music of this period introduces modulation, which involves systematic changes from one scale to another. Modulation occurs in relatively ...
The only difference with respect to the natural minor scale is in the second scale degree, which is a minor second (m2) above the tonic, rather than a major second (M2). Tonic triad : Em Tonic seventh chord : Em 7
Naṭabhairavi is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 20th melakarta rāgam in the 72 melakarta rāgam system. It corresponds to the Natural minor scale (alias Aeolian mode) of western music system. Natabhairavi corresponds to the Asavari thaat of Hindustani music.
An A natural minor scale under a slur A slur is a symbol in Western musical notation indicating that the notes it embraces are to be played without separation (that is, with legato articulation ).