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The traditional border arrangement was highly conserved through time, but can also be modified to the effect that the field encroaches on the main border. Seen in Kerman rugs and Turkish rugs from the late eighteenth century "mecidi" period, this feature was likely taken over from French Aubusson or Savonnerie weaving designs.
Detail of the Mantes Carpet, Safavid, Louvre Hunting Carpet made by Ghiyâth-ud-Din Jâmi, wool, cotton and silk, 1542–1543, Museo Poldi Pezzoli, Milan 16th century, the "Schwarzenberg Carpet" Persian Safavid period Animal carpet 16th century, Museum für Kunst und Gewerbe Hamburg Detail of the above carpet Safavid Kerman ‘vase’ carpet fragment, southeast Persia, early 17th century
While pile-woven carpets and prayer rugs gained popularity during the Mughal period, the region also has a long tradition of using darī, flat-woven cotton rugs. The 18th-century cotton prayer rugs from Bīd̲j̲āpūr, with their floral patterns and uniquely Indian domed minarets rising from the miḥrāb, show this cultural fusion.
Bakhtiari rugs were also known after their place of origin, such as Saman or Hureh (Hori). [4] However, Bakhtiari patterns are copied in other weaving centers in Iran, Pakistan, India and China; the location-based name often refers to the place of origin of the pattern and the quality of the rug, rather than to its place of actual manufacture.
One of the Ardabil Carpets A small rug. A carpet is a textile floor covering typically consisting of an upper layer of pile attached to a backing. The pile was traditionally made from wool, but since the 20th century synthetic fibers such as polypropylene, nylon, or polyester have often been used, as these fibers are less expensive than wool.
Isfahan rugs are knotted on either silk or cotton foundations, with up to 1.000.000 Persian knots/sqm(there have been pieces created by Seirafian master workshop with higher knot count), using exceptionally good quality (referred to as kork wool in Iran) wool for the pile, which is normally clipped quite low.
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