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Isonokami Sasamegoto (Japanese: 石上私淑言, lit. ' Personal Views on Poems '), is an extended essay on Tanka poetry written in 1763 by the eighteenth century Japanese scholar Motoori Norinaga. Norinaga was one of the leading scholars in the Kokugaku (国学, lit. ' National learning ') literary movement. [1] [2]
Tsurezuregusa (徒然草, Essays in Idleness, also known as The Harvest of Leisure) is a collection of essays written by the Japanese monk Kenkō (兼好) between 1330 and 1332. The work is widely considered a gem of medieval Japanese literature and one of the three representative works of the zuihitsu genre, along with The Pillow Book and the ...
In Praise of Shadows (陰翳礼讃, In'ei Raisan) is a 1933 essay on Japanese aesthetics by the Japanese author Jun'ichirō Tanizaki. It was translated into English, in 1977, by the academic students of Japanese literature Thomas J. Harper and Edward Seidensticker. A new translation by Gregory Starr was published in 2017.
Urabe Kenkō (卜部 兼好, 1283–1350), also known as Yoshida Kenkō (吉田 兼好), or simply Kenkō (兼好), was a Japanese author and Buddhist monk. His most famous work is Tsurezuregusa (Essays in Idleness), [1] one of the most studied works of medieval Japanese literature. Kenko wrote during the early Muromachi and late Kamakura periods.
Otaku: Japan's Database Animals (動物化するポストモダン：オタクから見た日本社会, Dōbutsuka-suru Postmodern: Otaku kara mita Nihon Shakai) is a nonfiction essay that relates otaku culture to postmodernism. It was published by Hiroki Azuma in 2001, [1] and translated into English by the University of Minnesota Press in 2009.
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"The Japan That Can Say No: Why Japan Will Be First Among Equals" (「NO」と言える日本, "No" to Ieru Nihon) [1] is a 1989 essay originally co-authored by Shintaro Ishihara, the then Minister of Transport and a leading figure from the Liberal Democratic Party (LDP) who would become governor of Tokyo (1999-2012); and Sony co-founder and chairman Akio Morita, in the climate of Japan's ...
Hōjōki is one of the earliest Japanese classical works that was brought to the attention of Western readership, mainly because of its Buddhist elements. The first mention of the work in English language goes as far back as to 1873, when Ernest Mason Satow in an article on Japan briefly mentioned this work while discussing Japanese Literature ...