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Bitter Blood is the second of Bledsoe's true crime books to be adapted by Freedman for the screen, following Blood Games which was adapted into the 1992 television film Honor Thy Mother. Television networks were apprehensive about the grisly ending in Bledsoe's book, which sees two children violently killed, and the miniseries ended up ...
The account of the ordeal of bitter water is given in the Book of Numbers: Then Yahweh spoke to Moses, saying, “Speak to the sons of Israel and say to them, ‘If any man’s wife goes astray and is unfaithful to him, and a man lies sexually with her, and it is hidden from the eyes of her husband, and she is undetected; but she has defiled herself, and there is no witness against her, and ...
Wise Blood is a 1979 black comedy drama film directed by John Huston and starring Brad Dourif, [1] Dan Shor, Amy Wright, Harry Dean Stanton, and Ned Beatty. It is based on the 1952 novel Wise Blood by Flannery O'Connor .
In the Best of Families has a runtime of 200 minutes and it was originally released and played on CBS in a two part series on January 16 and 18, 1994. [6] It is re-run on cable under the title Bitter Blood. The story was also adapted for an episode of Southern Fried Homicide on Investigation Discovery. [7]
Geoff Armstrong (Andre Jacobs) and his wife Elizabeth (Jenilee Harrison) run a large sugar plantation in East Africa in the 1950s.When Elizabeth and her sister interrupt the sacrifice of a goat by the local tribes people, the entire family becomes the focus of a curse placed by the local witch doctor, who calls forth an ancient demon from the sea to seek revenge on his behalf.
Hagazussa: A Heathen's Curse (German: hagazussa, an Old High German term for "witch" [1]) is a 2017 German-Austrian horror film written and directed by Lukas Feigelfeld in his feature directorial debut, and produced by Feigelfeld and Simon Lubinski.
Investing in a water filter is a simple and effective form of protection. Residents of the rural West Virginia town at the heart of "Dark Waters" may (or may not) have been an extreme case, but ...
In a retrospective review, Sight & Sound referred to the film as "Corman's best work" with "hilarious dialogue and a finale reminiscent of Fritz Lang's M" and that his "low-budget comedy horror pic works both as satire at the expense of the Beat generation and as a trenchant little allegory about the New York art world in general." [23]