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The first waltz theme is a familiar gently rising triad motif played by cellos and horns in the tonic (D major), accompanied by the harp; the Viennese waltz beat is accentuated at the end of each 3-note phrase. The Waltz 1A triumphantly ends its rounds of the motif, and waltz 1B follows in the same key; the genial mood is still apparent.
Dancers. Viennese waltz (German: Wiener Walzer) is a genre of ballroom dance.At least four different meanings are recognized. In the historically first sense, the name may refer to several versions of the waltz, including the earliest waltzes done in ballroom dancing, danced to the music of Viennese waltz.
Wein, Weib und Gesang (Wine, Woman, and Song), Op. 333, is a Viennese waltz by Johann Strauss II. It is a choral waltz in its original form, [ 1 ] although it is seldom heard in this version today. It was commissioned for the Vienna Men's Choral Association 's so-called Fools' Evening on 2 February 1869 with a dedication to the Association's ...
Danny Amendola and Witney Carson will start off with a viennese waltz to “Gravity” by John Mayer before switching to a salsa to “I Like It” by Cardi B, Bad Bunny and J Balvin.
Waltz 5B contains the customary climax with cymbals and is loudly played. After a brief and tense coda, waltz 1A and 2B make a reappearance. As the waltz approaches its end, the zither solo makes another appearance, reprising its earlier melody in the introduction. A crescendo in the final bars concludes with a brass flourish and snare drumroll.
waltz 386 Loslassen! Release! polka: 388 Weaner Mad’ln: Viennese Girls or Viennese Beauties: waltz Composed by Ziehrer during his tenure as bandmaster of the Hoch und-Deutschmeister Regiment, and first performed in January 1888. It is one of Ziehrer's most famous compositions. The introduction of the waltz features a whistling theme, a ...
Wiener Bonbons (Vienna Sweets), Op. 307, is a waltz by Johann Strauss II written in 1866. [1] It was first performed on 28 January 1866 at the ball of the Association of Industrial Societies held in the ball rooms of the Vienna Hofburg and was dedicated to the influential Princess Pauline Metternich-Winneburg, the wife of then Austrian ambassador to Paris.
In contemporary ballroom dance, the fast versions of the waltz are called Viennese waltz as opposed to the Slow waltz. [24] In traditional Irish music, the waltz was taught by travelling dancing masters to those who could afford their lessons during the 19th century. By the end of that century, the dance spread to the middle and lower classes ...