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Marie Zieu Chino (1907–1982) was a Native American potter from Acoma Pueblo, New Mexico. Marie and her friends Lucy M. Lewis and Jessie Garcia are recognized as the three most important Acoma potters during the 1950s. Along with Juana Leno, they have been called "The Four Matriarchs" who "revived the ancient style of Acoma pottery."
Lewis' tribe, Acoma Pueblo, considered the clay she used for her pottery to be sacred. The creation of a single pot could take as long as two to three weeks. In addition, Native American pottery making is passed down the matriarchal line—mothers, grandmothers, and aunts teach the next generation.
The Indian Arts and Crafts Act of 1990 defines "Native American" as being enrolled in either federally recognized tribes or state recognized tribes or "an individual certified as an Indian artisan by an Indian Tribe." [1] This does not include non-Native American artists using Native American themes. Additions to the list need to reference a ...
Acoma Pueblo (/ ˈ æ k ə m ə / AK-ə-mə, Western Keres: Áakʼu) is a Native American pueblo approximately 60 miles (97 km) west of Albuquerque, New Mexico, in the United States. Four communities make up the village of Acoma Pueblo: Sky City (Old Acoma), Acomita, Anzac, and McCartys .
Rachel Concho (born 1936) is a Native American artist and potter of the Acoma Pueblo.She is best known for her painted seed jars: small circular pots, nearly closed except for a small hole at the top, used for storing seeds from one harvest for planting in the next.
Acoma Pueblo pottery was long appreciated for its bright white slipped, thin-walled vessels and abstract fine line and checker-board geometric ornamentation. During the Modern era, Acoma as well as the neighboring Pueblo of Laguna refined the line quality even more, as well as introducing bird motifs. [ 51 ]