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Clean-up animation is the process of creating the final drawings you see in the finished film. It does not necessarily mean a "clean" fine line. The artist, usually a team of artists, uses key drawings and animation charts from the animator, making it appear as though one artist has created the whole film.
Christ's Charge to Peter, one of the Raphael Cartoons, c. 1516, a full-size cartoon design for a tapestry. In fine art, a cartoon (from Italian: cartone and Dutch: karton—words describing strong, heavy paper or pasteboard and cognates for carton) is a full-size drawing made on sturdy paper as a design or modello for a painting, stained glass, or tapestry.
The series is animated in a deliberately rough style, using marker pens and a very sketchy drawing technique, so that the pictures are constantly "shaking". This effect, known to animators as "boiling", gives an energetic character to the show, and was a contrast to the slick, smooth colouring of the American Hanna-Barbera shows that were being ...
In large studios, a specialized inbetweener artist fills in the gaps between the key drawings. Only very fast movements require 24 drawings per second, which is referred to as animating "on ones". Most movements can be done with 12 drawings per second—called animating "on twos", drawing one out of every two frames.
Caricature of Aubrey Beardsley by Max Beerbohm (1896), taken from Caricatures of Twenty-five Gentlemen. A caricature is a rendered image showing the features of its subject in a simplified or exaggerated way through sketching, pencil strokes, or other artistic drawings (compare to: cartoon).
Heavy Traffic is a 1973 American live-action/adult animated drama film written and directed by Ralph Bakshi. [5] The film, which begins, ends, and occasionally combines with live-action, explores the often surreal fantasies of a young New York City cartoonist named Michael Corleone, using pinball imagery as a metaphor for inner-city life.
Shirow Miwa (三輪士郎, Miwa Shirō, born November 9, 1978) is a Japanese manga artist and illustrator. He is best known as the writer and artist for the Dogs manga series, but has also contributed illustrations to various tribute books, and magazines, including Square Enix's Monthly Shōnen Gangan.
As the series progressed, he would draw figures and faces very detailed or "cartoony, sketchy and jumping with action" whenever he desired such effects. [7] During the years he worked on YuYu Hakusho, Togashi would calculate the personal time he had based on a formula of four hours per page without scripting and five hours of sleep per night. [13]