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Dracula is a 1958 British gothic horror film directed by Terence Fisher and written by Jimmy Sangster based on Bram Stoker's 1897 novel of the same name.The first in the series of Hammer Horror films starring Christopher Lee as Count Dracula, the film also features Peter Cushing as Doctor Van Helsing, along with Michael Gough, Melissa Stribling, Carol Marsh, and John Van Eyssen.
The Return of Dracula is a 1958 American horror film directed by Paul Landres, and starring Francis Lederer, Norma Eberhardt, and Ray Stricklyn.It follows Dracula, who murders an artist aboard a train in Central Europe, and proceeds to impersonate the man, traveling to meet with his extended family in a small California town.
Dracula is a British horror film series produced by Hammer Film Productions. The films are centered on Count Dracula , bringing with him a plague of vampirism , and the ensuing efforts of the heroic Van Helsing family to stop him.
The Thing that Couldn't Die is a 1958 American horror film produced and directed by Will Cowan and starring William Reynolds, Andra Martin, Jeffrey Stone, and Carolyn Kearney. Based on an original screenplay by David Duncan for Universal Pictures , it was released in the United States on a double bill in May 1958 [ 1 ] with the British Hammer ...
This is a non-diffusing subcategory of Category:1958 films. It includes 1958 films that can also be found in the parent category, or in diffusing subcategories of the parent. This category is for horror films released in the year 1958 .
Terence Fisher (23 February 1904 – 18 June 1980) was a British film director best known for his work for Hammer Films.. He was the first to bring gothic horror alive in full colour, and the sexual overtones and explicit horror in his films, while mild by modern standards, were unprecedented in his day.
Dracula seduced his beautiful victims. The Mummy resurrected his dead lover, Nosferatu became eerily obsessed with a young women, and Frankenstein even had a bride.
It was Hammer's first colour horror film, and the first of their Frankenstein series. [8] Its worldwide success led to several sequels, and it was also followed by new versions of Dracula (1958) and The Mummy (1959), establishing "Hammer Horror" as a distinctive brand of Gothic cinema. [9]