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In the Republic, Book X, Plato discusses forms by using real things, such as a bed, for example, and calls each way a bed has been made a "bedness". He commences with the original form of a bed, one of a variety of ways a bed may have been constructed by a craftsman and compares that form with an ideal form of a bed, of a perfect archetype or image in the form of which beds ought to be made ...
Figure 8, shape from which compulsory figures in ice skating are derived; Figure 8, a riding figure used in the training of horses; Figure-eight, type of noseband; Figure eight turn, man overboard rescue turn in sailing; Figure 8 (belay device), a piece of rock climbing equipment; Figure of 8, figure in English country dance
The formal elements, those aesthetic effects created by design, upon which figurative art is dependent, include line, shape, color, light and dark, mass, volume, texture, and perspective, [2] although these elements of design could also play a role in creating other types of imagery—for instance abstract, or non-representational or non-objective two-dimensional artwork.
A work of art, artwork, [1] art piece, piece of art or art object is an artistic creation of aesthetic value. Except for "work of art", which may be used of any work regarded as art in its widest sense, including works from literature and music , these terms apply principally to tangible, physical forms of visual art :
The Golden Apple of Discord at the wedding of Peleus and Thetis, Jacob Jordaens, 1633, 181 cm × 288 cm (71 in × 113 in), oil on canvas. A figure painting is a work of fine art in any of the painting media with the primary subject being the human figure, whether clothed or nude.
Elements of art are stylistic features that are included within an art piece to help the artist communicate. [1] The seven most common elements include line, shape, texture, form, space, color and value, with the additions of mark making, and materiality.
Constructed in 1966, Equivalent VIII was bought by the Tate Gallery in 1972 for $6,000 (then £2,297), half of the 1966 price. As none of the pieces had been sold during their New York gallery exhibition, Andre had returned the original bricks for a refund so new bricks were bought and shipped to the UK along with instructions on how to arrange them.
It was a bronze edition of 7; the artist's copy ("0/7") is in Kew Gardens in London, loaned by the Henry Moore Foundation [3] another in the Hofgarten, Düsseldorf (illustrated), [4] and one at the Hirshhorn Museum and Sculpture Garden in Washington D.C. [5] [6] The plaster model is at the Art Gallery of Ontario. [7]