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Felix Mendelssohn's "Wedding March" in C major, written in 1842, is one of the best known of the pieces from his suite of incidental music (Op. 61) to Shakespeare's play A Midsummer Night's Dream. It is one of the most frequently used wedding marches , generally being played on a church pipe organ .
In 1844 Mendelssohn arranged three movements for piano solo (Scherzo, Nocturne, Wedding March), which received their first recording by Roberto Prosseda in 2005. Slightly better known is the composer's own arrangement, also made in 1844, of five movements for piano duet (Overture, Scherzo, Intermezzo, Nocturne, Wedding March).
A Midsummer Night's Dream is a 51-minute studio album containing the overture and most of the incidental music that Felix Mendelssohn wrote to accompany William Shakespeare's play of the same name. It is performed by Judith Blegen , Frederica von Stade , the Women's Voices of the Mendelssohn Club of Philadelphia and the Philadelphia Orchestra ...
The album includes all of Mendelssohn's incidental music for A Midsummer Night's Dream except his score's No. 6, a melodrama. The vocal numbers are sung in Shakespeare's English rather than in the German translation by August Wilhelm Schlegel and Dorothea Tieck that Mendelssohn set, necessitating a few small deviations from Mendelssohn's original score.
Felix Mendelssohn aged 12 (1821) by Carl Joseph Begas. Felix Mendelssohn was born on 3 February 1809, in Hamburg, at the time an independent city-state, [n 4] in the same house where, a year later, the dedicatee and first performer of his Violin Concerto, Ferdinand David, would be born. [4]
Op. 61, A Midsummer Night's Dream, incidental music for soloists, female chorus and orchestra (1842) (MWV M 13) – Scherzo – Notturno – Wedding March; Op. 62, Songs Without Words for piano, Book V (1842/44) No. 1 Andante espressivo in G major (MWV U 185) No. 2 Allegro con fuoco in B-flat major (MWV U 181)