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The development of this camera started in 1983. The goal was to design a 65 mm movie camera, which was quiet enough to fit sync sound productions and had a similar ergonomy to 35 mm cameras, to answer the growing demand for 65 mm cameras. Other 65 mm cameras had noise production of up to 50 dBA, which made sound recording impossible. [1] The ...
The film speed is set lifting and turning the rim of the shutter speed dial. The camera is designed to use the now-obsolete 1.35 volt mercury battery, which may be directly replaced by a similar-sized 1.4 volt hearing aid battery which is usable for about a year after activation, whether used or not.
This battery has the same voltage as the PX625 mercury battery, and therefore is seen as a viable replacement by many. [1] The G-III camera made checking the battery easier by the addition of the battery check button on the side of the viewfinder eyepiece. A lamp on the camera would light when the battery was still good.
25-6400 (set on film back) LED shutter speed Camera Yes +/- 3 stops Camera No Blocky shape from 645 Super, two dials on top (metering mode and exposure compensation) AE Prism viewfinder FE401 [28] No 0.79x Silicon Photo Diode: EV-1.15 to EV 19 8 sec. 1/1000 25-6400 (set on film back) LED shutter speed Camera Yes +/- 3 stops Camera No
Pentax 6×7 front Pentax 6×7 top Pentax 6×7 side Pentax 6×7 back. The Pentax 6×7 (called "Pentax 67" after 1990) is a SLR medium format system film camera for 120 and 220 film, which produces images on the film that are nominally 6 cm by 7 cm in size (actual image on the film is 56 mm × 70 mm), made by Pentax.
There was also a new Nikon Series E range of lenses. The Series E lens line up in 1980 included a 28 mm ƒ/2.8 wide angle, a 35 mm ƒ/2.5 semi-wide angle, a 50 mm ƒ/1.8 normal, a 100 mm ƒ/2.8 short telephoto and a 75–150 mm ƒ/3.5 zoom, with the subsequent addition of a 70–210 mm ƒ/4 zoom, and a 135 mm ƒ/2.8 medium telephoto. These ...