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C-flat major, a major musical key with seven flats; A-flat minor, a minor musical key with seven flats This page was last edited on 15 February 2020, at 20:22 (UTC). ...
C-flat major is the home key of the harp, with all its pedals in the top position, and it is considered the most resonant key for the instrument.Thus, in Richard Strauss's Ein Heldenleben, the first cue for the harps is written in C-flat major even though the rest of the orchestra, having previously played in E-flat major, retains a 3-flat key signature and is now playing in B major, marked ...
Bach Cantata 106 is almost entirely in E ♭ major, but has only two flats, not three, in the key signature Play ⓘ The Toccata and Fugue in D minor, BWV 538 by Bach has a key signature with no sharps or flats, indicating that it may be in D, in Dorian mode, but the B ♭ s indicated with accidentals make the music in D minor.
More often, pieces in a minor mode that have A-flat's pitch as tonic are notated in the enharmonic key, G-sharp minor, because that key has just five sharps as opposed to the seven flats of A-flat minor. In some scores, the A-flat minor key signature in the bass clef is written with the flat for the F on the second line from the top. [nb 1]
Use of key signature usual or unusual 15 equal temperament: 15-tet scale on C. Play ... 8 7 7 ♭ 7 7 6 6 ♭ 6 6 5 ...
Its key signature has seven sharps. Its relative minor is A-sharp minor (or enharmonically B-flat minor), its parallel minor is C-sharp minor, and its enharmonic equivalence is D-flat major. The C-sharp major scale is:
In practice, the choice of key name is restricted to the 30 keys whose signatures have no double flats or double sharps. (Such key signatures are used for so-called theoretical keys which are almost never encountered outside music-theoretical exercises.) [b] Keys with 6 flats and 6 sharps, [c] with 7 flats and 5 sharps [d] and with 5 flats and ...
A-flat major was the flattest major key to be used as the home key for the keyboard and piano sonatas of Domenico Scarlatti, Joseph Haydn and Ludwig van Beethoven, with each of them using the key for two sonatas: Scarlatti's K. 127 and K. 130, Haydn's Hob XVI 43 and 46, and Beethoven's Op. 26 and Op. 110, while Franz Schubert used it for one ...