Search results
Results From The WOW.Com Content Network
Hát hay, hay hát; Hát tự nhiên ; Hậu trường vui nhộn; Hết ga; Hiphop Zone; Hit tôi yêu; Hot Music; I - music; If You Can - Nếu bạn có thể; I Love K-Pop; I Love Music; I-movie; Jukeon; K Music; Kênh thứ 7; Key Life; Khoảnh khắc thay đổi số phận; Leo's Show; K-Pop Zone; Mic Rubic; Mirinda; Mồ hôi tím
Trịnh Công Sơn (February 28, 1939 – April 1, 2001) was a Vietnamese musician, songwriter, painter and poet. [1] [2] He is widely considered to be Vietnam's best songwriter.
"Để Mị nói cho mà nghe" received praise from both the public and professionals. The song won "Song of the Year" and "Music Video of the Year" from the Dedication Music Award 2020, and won a record six awards from Làn Sóng Xanh, [3] [4] as well as three awards from giải Mai Vàng (Golden Plum Award) and one award from WebTVAsia Awards ...
Paris By Night 81: Âm Nhạc Không Biên Giới 2 is a Paris By Night program produced by Thúy Nga Productions that was filmed at the Terrace Theater at the Long Beach Convention and Entertainment Center in California on Saturday, January 21, 2006, the first show of 2006.
[4] The Vietnam War had a profound impact on Vietnamese music, inspiring many protest songs and influencing the development of modern Vietnamese music, the introduction of rock came with use of electric guitars to create more aggressive sound on the songs. The main genres that were common in this period were the rock ,folk and soul.
Đờn ca tài tử Orchestra in Saigon, 1911. Đờn ca tài tử (Chữ Hán: 彈 歌 才子) or nhạc tài tử (樂才子) is a genre of chamber music in the traditional music of southern Vietnam.
Lưu Hữu Phước (12 September 1921 in Cần Thơ, Cochinchina – 8 June 1989 in Hồ Chí Minh City, Vietnam) was a Vietnamese composer, a member of the National Assembly, and Chairman of the Committee of Culture and Education of the National Assembly of the Socialist Republic of Vietnam.
"Chan Chan" is a 1984 son composition by Cuban trovador Compay Segundo. It was first recorded in 1985 by Compay Segundo's own group. In 1987, he approached Eliades Ochoa, who agreed to record a version with the Cuarteto Patria.