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La Parisienne (English: The Parisian) is an oil painting by the French artist Pierre-Auguste Renoir, completed in 1874 and now displayed at the National Museum Cardiff.The work, which was one of seven presented by Renoir at the First Impressionist Exhibition in 1874, is often referred to as The Blue Lady (French: La Dame en Bleu) and is one of the centre-pieces of the National Museum's art ...
Bleu I and Bleu III are nearly identical to Bleu II with exactly the same backgrounds of matching color and simple lines and shapes. To animate the sparseness of Bleu II ' s canvas, Miró includes the dynamic red line on the left side of the painting, conveying a sharp shock in the calm blue surface. He also employs the series of bold, defined ...
Contrasting colors of red and orange against green are used in this work. The background is a pattern that Van Gogh used in other works, [49] such as Still life with Carafe and Lemons (F340). [50] From the time this painting was made in 1887 and forward, Van Gogh used colorful backgrounds for his still lifes and portraits. [49]
Dark blue was widely used in the decoration of churches in the Byzantine Empire.In Byzantine art, Jesus and the Virgin Mary usually wore dark blue or purple. Blue was used as a background color representing the sky in the magnificent mosaics which decorated Byzantine churches.
Sunlight in the Blue Room (Danish: Solskin i den blå stue) is an 1891 painting by Anna Ancher, an innovative Danish painter who was a central figure with the Skagen Painters. With its many shades of blue and the sunlight pouring through the window, the painting is one of her most prominent works.
The Blue Bird (French: L'Oiseau bleu) is an oil painting created in 1912–1913 by the French artist and theorist Jean Metzinger. L'Oiseau bleu, one of Metzinger's most recognizable and frequently referenced works, was first exhibited in Paris at the Salon des Indépendants in the spring of 1913 (cat. no. 2087), [1] several months after the publication of the first (and only) Cubist manifesto ...
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The large, brown guitar is the only significant shift in color found in the painting; [1] its dull brown, prominent against the blue background, becomes the center and focus. The guitar comes to represent the guitarist's world and only hope for survival.