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The French romantic composer Hector Berlioz produced significant musical and literary works. Berlioz composed mainly in the genres of opera , symphonies , choral pieces and songs. As well as these, Berlioz also produced several works that fit into hybrid genres, such as the "dramatic symphony" Roméo et Juliette and Harold in Italy , a symphony ...
Berlioz by August Prinzhofer, 1845. Louis-Hector Berlioz [n 1] (11 December 1803 – 8 March 1869) was a French Romantic composer and conductor. His output includes orchestral works such as the Symphonie fantastique and Harold in Italy, choral pieces including the Requiem and L'Enfance du Christ, his three operas Benvenuto Cellini, Les Troyens and Béatrice et Bénédict, and works of hybrid ...
Symphonie fantastique: Épisode de la vie d'un artiste … en cinq parties (Fantastic Symphony: Episode in the Life of an Artist … in Five Sections) Op. 14, is a programmatic symphony written by Hector Berlioz in 1830.
List of works by Hector Berlioz This page was last edited on 9 May 2014, at 14:11 (UTC). Text is available under the Creative Commons Attribution ...
This is a list of musical compositions that employ extended techniques to obtain unusual sounds or instrumental timbres. Hector Berlioz "Dream of Witches' Sabbath" from Symphonie Fantastique. The violins and violas play col legno, striking the wood of their bows on the strings (Berlioz 1899, 220–22). Heinrich Ignaz Franz von Biber; Battalia ...
Choral compositions by Hector Berlioz (2 C, 5 P) O. Operas by Hector Berlioz (6 P) S. Song cycles by Hector Berlioz (3 P) Symphonies by Hector Berlioz (4 P)
1883 vocal score of the Berlioz Te Deum. The Te Deum (Op. 22 / H.118) by Hector Berlioz (1803–1869) was completed in 1849. Like the earlier and more famous Grande Messe des Morts, it is one of the works referred to by Berlioz in his Memoirs as "the enormous compositions which some critics have called architectural or monumental music."
Hector Berlioz photographed by Pierre Petit (1863).. French composer Hector Berlioz wrote a number of "overtures", many of which have become popular concert works. They include true overtures, intended to introduce operas, but also independent concert overtures that are in effect the first orchestral tone poems.