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Shan shui painting is a kind of painting which goes against the common definition of what a painting is. Shan shui painting refutes color, light and shadow and personal brush work. Shan shui painting is not an open window for the viewer's eye, it is an object for the viewer's mind. Shan shui painting is more like a vehicle of philosophy. [6]
Landscape painting, also known as landscape art, is the depiction in painting of natural scenery such as mountains, valleys, rivers, trees, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of ...
Land art, variously known as Earth art, environmental art, and Earthworks, is an art movement that emerged in the 1960s and 1970s, [1] largely associated with Great Britain and the United States [2] [3] [4] but that also includes examples from many countries. As a trend, "land art" expanded boundaries of art by the materials used and the siting ...
The Lonely Tree (German: Der einsame Baum, sometimes translated as "The Solitary Tree") is an 1822 oil-on-canvas painting by German painter Caspar David Friedrich. It measures 55 × 71 centimetres (22 × 28 in). The work depicts a panoramic view of a romantic landscape of plains with mountains
C. California Spring (painting) Camel (in Rhythmic Landscape with Trees) Capriccio (art) Cass (painting) The Castle of Muiden in Winter; Cemetery, New Mexico (Marsden Hartley)
In the United States the Romantic tradition of landscape painting was known as the Hudson River School: [27] exponents include Thomas Cole, Frederic Edwin Church, Albert Bierstadt, Thomas Moran, and John Frederick Kensett. Luminism was a movement in American landscape painting related to the Hudson River School.
The boundaries of a few Anglo-Saxon estates were described in the boundary clauses of Anglo-Saxon Charters. These boundary clauses can sometimes be used to characterise the landscape at the time. In some cases, it has been possible to show that the boundaries of these Anglo-Saxon estates correspond to the boundaries of the subsequent parish.
Albrecht Altdorfer produced the very first pure landscapes in the history of European art. [1] Only five surviving landscape paintings are generally accepted to have been painted by Altdorfer. [2] Two of them, one in Munich (30.5 × 22.2 cm) and one in London (41.2 × 35.5 cm), were painted in oils on parchment glued on wood.