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The cover of Kenny Dorham's Una Mas (1963) was designed around Dorham's pose in the featured photo. Miles is credited with developing the style of Blue Note's album covers and shaping the label's overall visual identity. [52] His covers have been described as belonging to the Bauhaus and Swiss Style movements. [53]
The production design was done by Road Rage, a formed alliance between Nick Whitehouse, Bryan Leitch, William Baker and Steve Dixon. Lightning design was done by Visual Light, conformed by Whitehouse and Leitch. [27] The stage was designed by Road Rage and set in-the-round, with a big stage in the center painted to look like a target.
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The shaders were removed and replaced with custom gray ones that had been painted gold and silver. To replace the shaders, about 1.5 million screws were removed and re-inserted, a process that had to be repeated after the tour to reinstall the original black shaders so the rented video panels could be put back into storage.
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