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Richard Anderson is an American concept artist, illustrator, and painter. He won the Gold Spectrum Award in 2011, the Art Directors Guild Award for Excellence in Production Design for a Fantasy Film in 2015, and he was the final person to win the Gemmell Award for Best Fantasy Cover Art.
The footstone of William Wallace Denslow in Kensico Cemetery, featuring his seahorse insignia and images of the Scarecrow and Tin Woodman Denslow had three wives and three divorces in his lifetime. His first wife, Annie McCartney (née, Anna M. Lowe, 1856–1908) married him in 1882 and gave birth to his only child, a son, the following year.
Mark Wilkinson (born 3 October 1952) is an English illustrator. He is best known for the detailed surrealistic cover art he created for a number of British bands. [1] Wilkinson's breakthrough came through his association with the neo-prog band Marillion in the 1980s.
Simone Bianchi (born July 10, 1972 [1]) is an Italian comic book illustrator, painter, graphic designer and art instructor, known to Italian audiences for his work in comics, CD covers, music videos, TV commercials and role-playing games. His most popular Italian comics is (unfinished) trilogy Ego Sum.
The fantasy magazine Weird Tales published the first cover art by Freas on its November 1950 issue: "The Piper" illustrating "The Third Shadow" by H. Russell Wakefield. His second was a year later in the same magazine, followed by several Planet Stories or Weird Tales covers and interior illustrations for three Gnome Press books in 1952. [1]
Cliff Nielsen is an American book illustrator and comic book artist. The Internet Speculative Fiction Database credits him with cover art for about 500 book and magazine covers published since 1994 [ 1 ] Nielsen is best known [ citation needed ] for his work on projects such as Star Wars , The X-Files , Chronicles of Narnia among many projects ...
Franklin Arbuckle (nicknamed Archie) RCA (February 17, 1909 – July 29, 2001) was a Canadian illustrator, painter and educator who contributed more than 100 covers and many illustrations to Maclean's magazine in a 60-year career.
Digital image manipulation was in its infancy at the time and the artist recalled that "you'd go back to this hazmat type of room—you know, those computer rooms where the guys would wear white and it was freezing cold—one huge room, full of tapes, and you'd load your tape".