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The Sagrestia Vecchia di San Lorenzo, or Old Sacristy of San Lorenzo, is the older of two sacristies of the Basilica of San Lorenzo in Florence, Italy. It is one of the most important monuments of early Italian Renaissance architecture . [ 1 ]
With the election of Clement VII in 1523, in December of that year the artist returned to the works at San Lorenzo. It was thought to house the tombs of Pope Leo and, at the time, of Clement VII in the Sacristy, but the idea was soon abandoned in favor of the choir of San Lorenzo.
Opposite the Old Sacristy in the north transept of the basilica is the Sagrestia Nuova (New Sacristy), begun in 1520 by Michelangelo, who also designed the Medici tombs within it. That the architect of a building also designed the interior furnishings is a historical novelty in European architecture that is driven by his being a sculptor by ...
The Sagrestia Nuova; on the left is the tomb of Lorenzo de' Medici, Duke of Urbino; on the right, the altar. The Sagrestia Nuova [1] or New Sacristy, also known simply as the Medici Chapel, was intended by Cardinal Giulio de' Medici and his cousin Pope Leo X as a mausoleum or mortuary chapel for members of the Medici family.
Dating from 1521 to 1534, the sculpture is a piece of the altar decoration of the Sagrestia Nuova in the Basilica of San Lorenzo, Florence. [1] The work, according to Michelangelo's letters and other documents, was one of the first works begun for the decoration of the Sagrestia Vecchia (Old Sacristy), as early as 1521
Medici Chapel most often refers to the Sagrestia Nuova or New Sacristy in San Lorenzo, Florence, a burial chapel with sculpture and architecture by Michelangelo. It may also refer to: Medici Chapels, a complex of two chapels at San Lorenzo (the Sagrestia Nuova and the Cappella dei Principi) operated as a museum
Around 1465 Verrocchio is believed to have worked on the lavabo of the Old Sacristy in San Lorenzo, Florence. [12] Between 1465 and 1467 he executed the funerary monument to Cosimo de' Medici for the crypt under the altar of the same church, and in 1472 he completed the monument to Piero and Giovanni de' Medici in the Old Sacristy.
Cities within Florence's zone of influence, such as Genoa, Milan, and Turin, mainly produced examples later, from the sixteenth century on. [258] The Old Sacristy of the Basilica of San Lorenzo in Florence. Brunelleschi's domes at San Lorenzo and the Pazzi Chapel established them as a key element of Renaissance architecture. [87]