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Jersey club (originally called Brick City club [1]) is a style of electronic club music that originated in Newark, New Jersey, in the early 2000s.It was pioneered by DJ Tameil, Mike V, DJ Tim Dolla, and DJ Black Mic of the Brick Bandits crew, who were inspired by Baltimore club's uptempo hybrid of house and hip hop.
Plugg is a sub-genre of trap music that emerged in the mid-2010s via online distribution on the SoundCloud platform. It was popularized by melodic Southern hip hop artists, and is characterized by deep 808 basslines, sparkly melodies, and melodic vocals.
The bass drop was produced using the Roland TR-808's drum machine kick drum deep sound. [3] Since then, the TR-808 bass drop has been incorporated into a number electronic dance music genres, either produced by a TR-808 or using a sample of a TR-808 bass drop. The EDM drop has continued to evolve over time, circulating through different sub-genres.
Trap is a subgenre of hip-hop which originated in the Southern United States, with lyrical references to trap starting in 1991 but the modern sound of trap appearing in 1999. [ 1 ] [ 3 ] The genre gets its name from the Atlanta slang term " trap house ", a house used exclusively to sell drugs. [ 4 ]
It is the lead single from Thug's mixtape Jeffery (2016) and the second single from Scott's second studio album Birds in the Trap Sing McKnight (2016). The song was written by the artists alongside Starrah, who provides additional vocals, and producers Vinylz, Allen Ritter, Frank Dukes, and Mike Dean. [2]
Rage (also known as rage music, [1] [2] rage rap, [3] or rage beats [4] [5] [6]) is a microgenre of trap music. [3] [7] Distinguishing features of rage include short looping stereo-widened future bass-influenced synthesizer lead hooks and basic, energetic trap rhythms. [4] [7] [8] Among the pioneers of rage are rappers Playboi Carti, Lil Uzi ...
Pitchfork gave the song a positive review saying that, "The song's interlocking polyrhythms—bongos, cricket-like whistles, clicking trap hi-hats, and slowed-down snares sampled from the Mohawks' "Champ"—are a beauty to behold. It's a disorienting maze of sounds, a beat that's difficult to wrap your head around, let alone rap over." [4]
Boom bap is a subgenre and music production style that was prominent in East Coast hip hop during the golden age of hip hop from the late 1980s to the early 1990s. [1]The term "boom bap" is an onomatopoeia that represents the sounds used for the bass (kick) drum and snare drum, respectively.