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Oehler-system clarinet and Full-Oehler clarinet with bell mechanism to correct low E and F The Oehler system (also spelled Öhler ) is a system for clarinet keys developed by Oskar Oehler . Based on the Müller system clarinet, the system adds tone holes to correct intonation and acoustic deficiencies, notably of the alternately-fingered notes ...
The register key is a key on the clarinet [clarification needed] that is used to play in the second register; that is, it raises the pitch of most first-register notes by a twelfth (19 semitones) when pressed. It is positioned above the left thumb hole and is operated by the left thumb.
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The Boehm system for the clarinet is a system of clarinet keywork, developed between 1839 and 1843 by Hyacinthe Klosé and Auguste Buffet jeune.The name is somewhat deceptive; the system was inspired by Theobald Boehm's system for the flute, but necessarily differs from it, since the clarinet overblows at the twelfth rather than the flute's octave.
A Reform Boehm clarinet looks similar to an original Boehm clarinet, although some brands or models exhibit some of these differences: The right-hand little finger C and E♭ keys have rollers as on a German clarinet. The register key is like the key on German clarinets, with the corresponding tone hole on the left side.
The invention of the alto clarinet has been attributed to Iwan Müller and to Heinrich Grenser, [2] and to both working together. [3] Müller was performing on an alto clarinet in F by 1809, one with sixteen keys at a time when soprano clarinets generally had no more than 10–12 keys; Müller's revolutionary thirteen-key soprano clarinet was developed soon after. [3]
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The term soprano also applies to the clarinets in A and C, and even the low G clarinet—rare in Western music but popular in the folk music of Turkey—which sounds a whole tone lower than the A. Some writers reserve a separate category of sopranino clarinets for the E ♭ and D clarinets, [ 1 ] while some regarded them as soprano clarinets.