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The obituary poets were, in the popular stereotype, either women or clergymen. [12] Obituary poetry may be the source of some of the murder ballads and other traditional narrative verse of the United States, and the sentimental tales told by the obituary poets showed their abiding vitality a hundred years later in the genre of teenage tragedy ...
Kansas native Clare Harner (1909–1977) first published "Immortality" in the December 1934 issue of poetry magazine The Gypsy [1] and was reprinted in their February 1935 issue. It was written shortly after the sudden death of her brother. Harner's poem quickly gained traction as a eulogy and was read at funerals in Kansas and Missouri.
Death is a gentleman who is riding in the horse carriage that picks up the speaker in the poem and takes the speaker on her journey to the afterlife. According to Thomas H. Johnson's variorum edition of 1955 the number of this poem is "712". The poet's persona speaks about Death and Afterlife, the peace that comes along with it without haste.
Eventually, pastoral poetry became popular among English poets, especially through Edmund Spenser's “The Shepherd’s Calendar,” which was published in 1579. One of the most famous examples of pastoral poetry is John Milton's “Lycidas.” Written in 1637, the poem is written about Edward King, a fellow student of Milton's who had died. [5]
Spoon River Anthology (1915) is a collection of short free verse poems by Edgar Lee Masters. The poems collectively narrate the epitaphs of the residents of Spoon River, a fictional small town named after the Spoon River, which ran near Masters's home town of Lewistown, Illinois. The aim of the poems is to demystify rural and small town ...
Poems of 1912–1913 are an elegiac sequence written by Thomas Hardy in response to the death of his wife Emma in November 1912. An unsentimental meditation upon a complex marriage, [1] the sequence's emotional honesty and direct style made its poems some of the most effective and best-loved lyrics in the English language.