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The obituary poets were, in the popular stereotype, either women or clergymen. [12] Obituary poetry may be the source of some of the murder ballads and other traditional narrative verse of the United States, and the sentimental tales told by the obituary poets showed their abiding vitality a hundred years later in the genre of teenage tragedy ...
Death is a gentleman who is riding in the horse carriage that picks up the speaker in the poem and takes the speaker on her journey to the afterlife. According to Thomas H. Johnson's variorum edition of 1955 the number of this poem is "712". The poet's persona speaks about Death and Afterlife, the peace that comes along with it without haste.
Kansas native Clare Harner (1909–1977) first published "Immortality" in the December 1934 issue of poetry magazine The Gypsy [1] and was reprinted in their February 1935 issue. It was written shortly after the sudden death of her brother. Harner's poem quickly gained traction as a eulogy and was read at funerals in Kansas and Missouri.
The Maximus Poems by Charles Olson (composed 1950–1970) The Anathemata by David Jones (1952) Aniara by Harry Martinson (composed 1956) Helen in Egypt by H.D. (1961) Song of Lawino by Okot p'Bitek (1966) Puerto Rican Obituary by Pedro Pietri (1971) Prussian Nights by Alexander Solzhenitsyn (1974) [13] The Banner of Joan by H. Warner Munn (1975)
Poems of 1912–1913 are an elegiac sequence written by Thomas Hardy in response to the death of his wife Emma in November 1912. An unsentimental meditation upon a complex marriage, [1] the sequence's emotional honesty and direct style made its poems some of the most effective and best-loved lyrics in the English language.
The death poem is a genre of poetry that developed in the literary traditions of the Sinosphere—most prominently in Japan as well as certain periods of Chinese history, Joseon Korea, and Vietnam. They tend to offer a reflection on death—both in general and concerning the imminent death of the author—that is often coupled with a meaningful ...
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