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Robin Leonard Trower (born 9 March 1945) is an English rock guitarist who achieved success with Procol Harum throughout 1967–1971 and then again as the bandleader of his own power trio known as the Robin Trower Band.
Two lineups of Procol Harum onstage in 1970, 2001 and 2018. Procol Harum were an English progressive rock band from Southend-on-Sea. Formed in April 1967, the group originally consisted of vocalist and pianist Gary Brooker, guitarist Ray Royer, bassist David Knights, keyboardist Matthew Fisher, drummer Bobby Harrison and lyricist Keith Reid. The band went through a number of lineup changes ...
James Dewar (12 October 1942 – 16 May 2002) was a Scottish musician best known as the bassist and vocalist for Robin Trower and Stone the Crows, [1] the latter having its beginnings as the resident band at Burns Howff in Glasgow.
The UK release was on 11 June 1971. It was guitarist Robin Trower's last recording with the group until The Prodigal Stranger (1991). "Song for a Dreamer" is a tribute to late Jimi Hendrix from Trower, who was stunned by Hendrix's death in September 1970 at the age of 27. [4]
Home is Procol Harum's fourth album, released in 1970.With the departure of organist Matthew Fisher and bassist David Knights, and the addition of bassist/organist Chris Copping to the remaining core roster of players (lead singer and pianist Gary Brooker, drummer B. J. Wilson and lead guitarist Robin Trower), Procol Harum became, to all intents and purposes, the Paramounts again in all but name.
For Earth Below is guitarist and songwriter Robin Trower's third solo album with cover art by "Funky" Paul Olsen. It was released in 1975 , and peaked at #5 on the Billboard 200 album chart in April, 1975.
Robin Trower – guitar; additional vocals on "Twice Removed from Yesterday" James Dewar – bass, lead vocals; Reg Isidore – drums; Matthew Fisher – organ on "Daydream" and ”I Can’t Wait Much Longer” ; producer
A Salty Dog was recorded in March 1969. The musical tensions between Robin Trower and the rest of the group were beginning to show in this album, and although his guitar sound remains integral to most of the tracks, "Crucifiction Lane" (featuring a rare Trower vocal), in retrospect, shows that Trower was already moving in a different direction from the rest of the band.