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Winklepickers or winkle pickers are a style of shoe or boot worn from the 1950s onward, especially popular with British rock and roll fans such as Teddy Boys. The feature that gives both the boot and shoe their name is the very sharp and long pointed toe, reminiscent of medieval poulaines and approximately the same as the long pointed toes on ...
A version of this style of shoe became popular with World War II soldiers in North Africa, who adopted suede boots with hard-wearing crepe rubber. [1] Writing in The Observer in 1991, John Ayto put the origin of the name 'brothel creeper' to the wartime years. [2]
Shoe designers have described a very large number of shoe styles, including the following: Leather ballet shoes, with feet shown in fifth position. A cantabrian albarca is a rustic wooden shoe in one piece, which has been used particularly by the peasants of Cantabria, northern Spain. [1] [2] A black derby shoe with a Goodyear welt and leather sole
Beatle boots are a direct descendant of the Chelsea boot, but have an even more pointed toe—compare the slightly earlier winklepickers—and a centre seam stitch running from ankle to toe, and the flamenco boot, from which its Cuban heel was derived.
They aren't especially important afaik and the shoes aren't especially important to them or their fandom as far as the article says, let alone sources. It's fine to laundry list them with the others in the section on use in music if we're just keeping a general list (although it should be sourced) but there's no reason to list them separately ...
It was considered one of the finest and most advanced shoe factories in the country, at the time. The factory is split into three parts - bottom stock (soles), the making room, where the shoes are finished, and a warehouse. Loake specialises in men's traditionally crafted handmade Goodyear-welted shoes. Construction of some styles involves ...
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For his handcart's load, which comprised rags, furs, shoes, scrap car parts, a settee and other furniture, Bibby made about £2. [21] Shoddy and Mungo manufacture in West Yorkshire continued into the 1950s and the rag man would set up his cart in local streets and weigh the wool or rags brought by the women whom they then paid.