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Forgotten Voices is a series of audio tapes and books put together by the Imperial War Museum.The sound archive features thousands of interviews with people who survived wars in which the British were involved in the 20th Century.
In 1960, the Imperial War Museum began a momentous and important task. A team of academics, archivists and volunteers set about tracing WWI veterans and interviewing them at length in order to record the experiences of ordinary individuals in war. The IWM aural archive has become the most important archive of its kind in the world.
Forgotten Voices of the Falklands uses the resources of the Imperial War Museum’s Sound Archive to present the first complete oral history of the Falklands War.The book presents a chronicle of the conflict from many different perspectives, told in the participants’ own voices from the initial invasion of the islands to the British landings to the Argentine surrender and its aftermath.
Forgotten Voices of the Blitz and the Battle of Britain uses material from Imperial War Museum’s sound archive. It was written by Joshua Levine to bring together interviews with people who lived through the Blitz and the Battle of Britain. It features interviews with soldiers, airmen, fire-fighters, air-raid wardens and civilians, people in ...
The Imperial War Museum (IWM), currently branded "Imperial War Museums", is a British national museum.It is headquartered in London, with five branches in England. Founded as the Imperial War Museum in 1917, it was intended to record the civil and military war effort and sacrifice of the United Kingdom and its Empire during the First World War.
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British Library Sounds (previously named Archival Sound Recordings) is a British Library service providing free online access to a diverse range of spoken word, music and environmental sounds from the British Library Sound Archive. Anyone with web access can use the service to search, browse and listen to 50,000 digitised recordings.
14–18 NOW and the Imperial War Museum (IWM) co-commissioned the film, in association with the BBC, approaching Jackson about the project in 2015. [6] According to Jackson, to make the film, he and his crew reviewed 600 hours of interviews from the BBC and IWM, and 100 hours of original film footage from the IWM.