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Mutyala Saralu (Telugu: ముత్యాల సరాలు) is a compilation of Telugu poems written by Gurajada Apparao in 1910. The compilation heralded the beginning of modern poetry in Telugu language. [1] The traditional meter is replaced by a new lyrical and four beat balladic rhythm.
Parijatapaharanamu (parijata+apaharanamu) (lit. the purloining of the Parijata tree) is a Telugu poem composed by Nandi Thimmana. [1] It is based on a story from Harivamsam . The story is about love quarrel between Krishna and his consorts Rukmini and Satyabhama .
The period of modern Telugu literature began with Gurajada Apparao, who changed the face of Telugu poetry with his Muthayala Saralu, and was perfected by later writers in the Romanticism era including Rayaprolu and Devulapalli Krishna Sastri. Gurajada's attempt to reform Telugu poetry by shedding old rules and styles reached a zenith with Sri ...
His works are also understandable to non-scholars and his poetry is fondly called as Mukku Timmana Muddu Paluku (sweet words of Mukku Thimmana) in Telugu. Parijatapaharanam is famous for many soft romantic poems still popular in Telugu. He did many poetic experiments in his works. One such experiment is called Chitra Kavita (means
The Basava Puranam is a 13th-century Telugu epic poem written by Palkuriki Somanatha.It is a sacred text of the Lingayat tradition. The epic poem narrates the life story of philosopher and social reformer Basava (1134–1196 CE), also known as Basavaṇṇa, Basavēśvara, Basavēśa, and Basavarāja, the founder of Lingayat. [1]
Andhra Mahabharatham ఆంధ్ర మహాభారతం is the Telugu version of Mahabharatha written by the Kavitrayam (Trinity of poets), consisting of Nannayya, Thikkana and Yerrapragada (also known as Errana).The three poets translated the Mahabharata from Sanskrit into Telugu over the period of the 11–14th centuries CE, and became the idols for all the following poets. [1]
Kasi Khandamu (Telugu: కాశీఖండము, romanized: Kāśī Khanḍamu) is a Telugu literary work by 15th century poet Srinatha. It is composed in a poetic form of Prabandha style with strict metre. The main subject is the profile of Kasi or Varanasi, extracted mostly from Kasi Khanda of Skanda Purana.
His writing style was mostly Telugu, unlike Nannayya whose work was mostly sanskritized. Tikkana used Telugu words even to express very difficult ideas. He used Telugu words and parables extensively. [citation needed] In the colophons of his work, Tikkana calls himself "a friend to both [kinds of] poets" (Ubhaya-kavi-mitra).