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A tableau vivant (French: [tablo vivɑ̃]; often shortened to tableau; pl. tableaux vivants; French for 'living picture') is a static scene containing one or more actors or models. They are stationary and silent, usually in costume, carefully posed, with props and/or scenery , and may be theatrically illuminated .
The Windmill Theatre in Great Windmill Street, London, was a variety and revue theatre best known for its nude tableaux vivants, which began in 1932 and lasted until its reversion to a cinema in 1964. Many prominent British comedians of the post-war years started their careers at the theatre.
The tableau vivant, or group of living statues, was a regular feature of medieval and Renaissance festivities and pageantry, such as royal entries by rulers into cities. Typically a group enacting a scene would be mounted on an elaborate stand decorated to look like a monument, placed on the route of the procession.
The Pageant of the Masters is an annual festival held by the Festival of Arts in Laguna Beach, California, United States.. The event is known for its tableaux vivants or "living pictures" in which classical and contemporary works of art are recreated by real people who are made to look nearly identical to the originals through the clever application of costumes, makeup, headdresses, lighting ...
The "tableaux vivants" used in the revues were designed by Ben Ali Haggin from 1917 to 1925. Joseph Urban was the scenic designer for the Follies shows, starting in 1915, [4] and Edward Royce directed the Follies in 1920 and 1921, in addition to several other Ziegfeld productions. [5]
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Vivian Van Damm (28 June 1889 – 14 December 1960) was a prominent British theatre impresario from 1932 until 1960, managing the Windmill Theatre in London's Great Windmill Street.