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Eliot uses Lady Macbeth's state of mind as an example of the successful objective correlative: "The artistic 'inevitability' lies in this complete adequacy of the external to the emotion….", as a contrast to Hamlet. According to Eliot, the feelings of Hamlet are not sufficiently supported by the story and the other characters surrounding him.
Eliot's critique gained attention partly due to his claim that Hamlet is "most certainly an artistic failure." Eliot also popularised the concept of the objective correlative—a mechanism used to evoke emotion in an audience—in the essay. The essay is also an example of Eliot's use of what became known as new criticism. [2]
Topics include Eliot's opinions of many literary works and authors, including William Shakespeare's play Hamlet, and the poets Dante Alighieri and William Blake. [ 1 ] One of his most important prose works, " Tradition and the Individual Talent ", which was originally published in two parts in The Egoist , is a part of The Sacred Wood .
In "Hamlet and His Problems" Eliot presents the phrase "objective correlative." The theory is that the expression of emotion in art can be achieved by a specific, and almost formulaic, prescription of a set of objects, including events and situations. A particular emotion is created by presenting its correlated objective sign.
Eliot uses John Donne's poetry as the most prominent example of united sensibility and thought. He writes, "[a] thought to Donne was an experience; it modified his sensibility." Eliot's apparent appreciation of Donne's ability to unify intellectual thought and the sensation of feeling demonstrates that he believes dissociation of sensibility to ...
Thomas Stearns Eliot OM (26 September 1888 – 4 January 1965) was a poet, essayist and playwright. [1] He was a leading figure in English-language Modernist poetry where he reinvigorated the art through his use of language, writing style, and verse structure.
T.S. Eliot, who shared Montale's admiration for Dante, was an important influence on his poetry at this time; in fact, the new poems of Eliot were shown to Montale by Mario Praz, then teaching in Manchester. The concept of the objective correlative used by Montale in his poetry, was probably influenced by T. S. Eliot. In 1948, for Eliot's ...
Thing theory is particularly well suited to the study of modernism, due to the materialist preoccupations of modernist poets such as William Carlos Williams, who declared that there should be "No ideas but in things" or T. S. Eliot's idea of the objective correlative. [6]