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Double Exposure is a 1982 American horror film written and directed by William Byron Hillman, co-produced by Michael Callan, and starring Callan, Joanna Pettet, James Stacy, and Seymour Cassel. [2] It is a loose remake of the 1974 film The Photographer , [ 3 ] which was also written and directed by Hillman, produced by Deming, and starring Callan.
Opening Title Production company Cast and crew Ref. J A N U A R Y: 7 Xtro: New Line Cinema: Harry Bromley Davenport (director/screenplay); Michel Perry, Iain Cassie, Robert Smith (screenplay); Philip Sayer, Bernice Stegers, Simon Nash, Maryam d'Abo, Danny Brainin, Peter Mandell, David Cardy, Anna Wing, Robert Fyfe, Katherine Best, Robert Pereno, Sean Crawford, Tim Dry, Arthur Whybrow, Susie Silvey
Double Exposure; Directed by: Claudia Hoover: Written by: Christine Colfer Bridget Hoffman Claudia Hoover: Produced by: Samuel Benedict (producer) Joanne Watkins (producer) Scott Wiseman (executive producer) Starring: Ron Perlman Ian Buchanan Dedee Pfeiffer: Cinematography: John J. Connor: Edited by: Thomas Meshelski: Music by: Paolo Rustichelli
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Example of "time-lapse" video, which Koyaanisqatsi uses heavily Reggio and Fricke came across time-lapse footage in "some low-visibility commercial work". They felt such footage was "the language [they] were missing", and collectively decided to implement time-lapse as a major part of the film to create "an experience of acceleration".
The 20-year-old international model made headlines at the 2017 Cannes Film Festival for two major wardrobe whoops moments. One time, she seemingly flashed her underwear in strapless dress with a ...
Double Exposure: The Story of Margaret Bourke-White is a 1989 made-for-television film biography about the life of photographer Margaret Bourke-White. The movie stars Farrah Fawcett as Bourke-White, Frederic Forrest , David Huddleston , Jay Patterson , Mitch Ryan .
Man with a Movie Camera ' s usage of double exposure and seemingly "hidden" cameras made the movie come across as a surreal montage rather than a linear motion picture. Many of the scenes in the film contain people, who change size or appear underneath other objects (double exposure). Because of these aspects, the movie is fast-moving.