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Bongo drums produce relatively high-pitched sounds compared to conga drums, and should be held behind the knees with the larger drum on the right when right-handed. It is most often played by hand and is especially associated in Cuban music with a steady pattern or ostinato of eighth-notes known as the martillo (hammer). [3]
Nahru Lampkin, aka Bongo Man (born 1962), is an American entertainer, musician, street performer, and entrepreneur from Detroit, Michigan. [1] He has two other jobs, but he is best known as a street performer who plays conga drums (referred to as bongo drums by his customers) [2] near the entrance to sporting and other events, while offering rhymed comments to passers-by. [3]
It is probably derived from the Congolese Makuta drums or Sikulu drums commonly played in Mbanza Ngungu, Congo. Originally a person who plays tumbadoras is called a "tumbador" but ever since they began using the name " conga ", a man who plays conga is called a "conguero" and a woman who plays conga is called "conguera".
A family of Latin American drums derived from the European bass drum Bombo legüero: Unpitched Membranophone Argentina Bonang: Indonesia Pitched 111.241.2 Idiophone Bones (instrument) Unpitched 111.11 Idiophone Bongo drum: Cuba Unpitched 211.251.2 Membranophone Boobam: United States Unpitched 211.211.1 Membranophone Boomwhacker: United States ...
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In 1972, Nze Dan Orji, and Raphael Amarabem formed the Peacocks International Band. The band’s first single, “Sambola Mama,” was the first truly popular Bongo music. It would go on to sell 150,000 copies in Ghana, and more than double that amount in Nigeria. The 1970s and ‘80s marked the strongest periods in the trajectory of Bongo ...